Issue Nº 1 July 2026 Awwwards The FWA CSS Design Awards

Exhibita

A journal of the best-designed websites

The story 31 July 2026

Five Dutch Golden Age paintings remade with AI: a gentleman in a plumed hat lit by a phone, a woman in a lace ruff underlit in blue, a tulip garden overlaid with a grid, a child in a tiled landscape, and three figures in Dutch orange football kit
Entries to the open call, as shown by The FWA. The originals hang across the street.

They Let the Public Repaint the Rijksmuseum

Google Pixel opened the Dutch national collection to anyone with an idea and an AI tool. A man in Bucharest won it with an altarpiece.

The Rijksmuseum in Amsterdam holds some of the most reproduced paintings in the world. Google Pixel, working with the museum's main partner KPN and the agency Artcrush, invited the whole of the Netherlands to take those masterpieces and make something else out of them — using Google's own AI tools to do it.

The results are the reason this is worth looking at rather than reading about. A Rembrandt-era gentleman lit not by a candle but by the screen of a phone. A woman in a starched lace ruff, face underlit in cold blue. Three figures from a Golden Age canvas restaged in the orange of the Dutch national kit. Tulip gardens overrun by a visible grid, as though the painting were still loading.

The open call ran until February and the winner was announced at the museum in March: Dragoș Bădiță, from Bucharest, for a piece called Altarpiece — a reworking of The Holy Kinship by Geertgen tot Sint Jans, a painting from around 1495.

The winning entries did not stay online. They went up on more than three thousand digital billboards across the Netherlands, and hung in a gallery directly opposite the Rijksmuseum itself — the remixes facing the originals across the street.

Why it mattersMuseums have spent a decade putting collections online and asking people to look. This asked them to make something instead, and then gave the results the same wall space as the source.

Sources: The FWA — Google The Pixel Exhibit · Baaz — Google Pixel x KPN x Rijksmuseum · Marketing Report — the winning entry

The colour of this issue

Every colour sampled off every site in this issue — 36 of them, in the order they were awarded.

The Feature

This Is What Winning Looks Like

The best-designed websites on the internet right now, and what makes each one work.

The best-looking websites on the internet this month. The one at the top is also the plainest page here.

Depo Luxe 7.62score

02 Jul 7, 2026

Depo Luxe

A film production company in Turkey making commercials and fashion films for brands including Kenzo, Alexander McQueen and Azzaro.

A strategic and cinematic approach to contemporary luxury

Depo Luxe, describing their own site
Wembi 7.49score

04 Jul 1, 2026

Wembi

Software that creates a virtual twin of a machine or system so engineers can test changes before making them for real.

Wembi instantly improves the performance of any device, machine, or digital system by creating its virtual twin.

Wembi, describing their own site
PP Neue Montreal 7.41score

05 Jul 13, 2026

PP Neue Montreal

A release page for the typeface PP Neue Montreal from the foundry Pangram Pangram, framed as a travel guide to the city it is named after.

Neue Montreal a journey in time, going from its Montreal design roots to its growing family of siblings. Travel through what makes Neue Montreal the most...

PP Neue Montreal, describing their own site
Dragonfly Redux 7.39score

06 Jul 22, 2026

Dragonfly Redux

An investment firm backing cryptocurrency companies. The site was designed and built by Studio Freight.

Eight years in crypto, Dragonfly brings access and influence to crypto teams with global aspirations to find adoption anywhere.

Dragonfly Redux, describing their own site

We knew we needed to bring the heat and experiment with things we'd never done before in order to build a visual system that could demonstrate the technical prowess of the Dragonfly team while still representing their irreverence and research-focused venture approach.

Studio Freight, in their Awwwards case study

An early challenge we faced was the ASCII treatment that was so central to the brand identity. We did our research and most of the tools available were a bit flimsy. And what does the Studio Freight team do when a tool doesn't satisfy our needs? We build one from scratch.

Studio Freight, on the dotted imagery

The rest of the field

#SiteWhat it isScore
07 Bucks Sauce Bucks Sauce is a small-batch BBQ sauce brand built around bold flavor, real… 7.34
08 Units UNITS repositions student housing from a basic necessity into a premium lifestyle… 7.33
09 Spotify Wrapped Party For the first time, a multiplayer wrapped experience allowing fans to invite up to… 7.31
10 RISK Post Production Studio 7.31
11 Hildén & Kaira Hildén & Kaira is a Helsinki-based social content agency helping founders and… 7.27
12 Radian Radian is a launch experience for a new electric off-road motorbike, combining product… 7.23
13 CIAO ENERGY - LAUNCH WEBSITE An immersive experience built with Webflow and Three.js for the launch of Ciao… 7.22
14 Longbow A premium web experience for Longbow Motors, creators of British EV sports cars. Clean… 7.21
15 21 Hrs On The Moon To mark the recent Artemis Moon Mission and honour the legacy of the first moon… 7.20
16 IZANAMI Harmony is not something to be created — it is something to be remembered. Guided by… 7.19
17 Brunello Cucinelli - AI E-com A pageless, intent-led e-commerce experience that unfolds in real time. Multi-agent AI… 7.19
18 CoffeeTech® CoffeeTech® produces industry-leading commercial, shop, and lab roasters, setting the… 7.18
19 Vectr Vectr — AI-driven precision staffing for critical outages. 7.18
20 NORMAL IS BORING Avant-garde branding and digital experience for a luxury real estate brand redefining… 7.17

Scores, dates, categories and each team's own description: Awwwards. Every card links to its entry. Notes on the design are written by EXHIBITA. Refreshed Fri, 31 Jul 2026 16:38:18 UTC.

Where the words come from

The Critical Record

There is no equivalent of a film critic for websites. Nobody publishes third-party reviews of individual sites at any volume, and the award juries publish scores rather than opinions.

What the industry treats as the critical record instead is designer interviews in design journals — named practitioners explaining their own decisions. Three publications carry most of it:

That is what gets quoted here: attributable, substantive, and linked back to the source. Where no such piece exists for a site, its card carries only the team's own description — clearly marked as theirs. Nothing on this page is written in the voice of a critic who does not exist.

The Wire

Also Winning

The daily feed from Awwwards and The FWA.

Live from the award bodies' own RSS feeds — The FWA · Awwwards. Thumbnails and blurbs as published in those feeds; each card links to its entry. Last refreshed Fri, 31 Jul 2026 16:37:53 UTC.

Page Two

How the Award Machine Works

The scoring system behind those numbers, the studios that keep clearing the bar, the canon of every Site of the Year, and what the winners are built with.