Issue Nº 1 July 2026 What's next
Exhibita A journal of the best-designed websites

The work ahead

What's Next

Which design jobs are growing, which are shrinking, and roughly when. With the evidence for each, so you can disagree with it properly.

170m new roles created by 2030, against 92 million displaced

A net gain of about 78 million. The report surveyed more than a thousand employers across 22 industries and 55 economies. World Economic Forum, Future of Jobs

Growing

UI/UX design

Named among the top ten fastest-growing job roles — eighth in one surveyed segment.

Digital experience is where companies now compete, so the person who shapes it is no longer a finishing touch.

Shrinking

Traditional graphic design

Eleventh in the fastest-declining list, thirteenth in the largest-declining.

Static and print-focused work is being absorbed by tools. The craft is not worthless; the job description is changing.

39% of the skills people hold today are expected to be outdated by 2030. That is the number worth planning around — not the fear of replacement, but the certainty of revision.

Now — already short

Interaction and motion design

Motion is no longer decoration. On our own board, GSAP — the tool used to choreograph movement — appears on 32% of winning sites, more than any other single technology. Sites are judged partly on how they feel to operate, and almost nobody is trained specifically for that.

EvidenceEXHIBITA board: motion tooling on 33 of 102 winners, the most-used technology

Design systems and accessibility

Someone has to keep a hundred screens coherent and usable by everyone. It is unglamorous, it is very hard to automate because it is mostly judgement and negotiation, and organisations only discover they needed it after it has gone wrong.

EvidenceUsability is 30% of the score on the largest web design award — second only to appearance

Now — rising fast

The builder who does not write code

Webflow and Framer now appear on award-winning work that would once have required a bespoke engineering team. Our own comparison of the canon against current winners shows Webflow rising from 3% to 17%. That is a genuine new craft: assembling to a professional standard without a developer.

EvidenceEXHIBITA in-and-out: Webflow 3% of the canon, 17% of current winners

2026–2028

Real-time 3D for the browser

The share of award-winning sites using three-dimensional work has fallen from 61% of the historic canon to 29% today — a correction after a bubble, not a death. WebGPU has just reached every major browser, which raises the ceiling considerably. Fewer people will do this, and the ones who do will be worth more.

EvidenceEXHIBITA in-and-out: 3D at 61% of the canon, 29% now

Designers who direct AI rather than fear it

The tools generate; someone still has to decide what is good. The Rijksmuseum project on our front page is the shape of this — the technology was available to everyone who entered, and one person in Bucharest won because of judgement, not access. Taste is the scarce input now.

EvidenceWEF names creative thinking among the most in-demand skills of the period

2027–2030

Sound design for the web

Audio is the rarest tag on our entire board. Browsers require a click before anything can play, so most teams decide it is not worth the trouble — which means the few sites that commit to it have an atmosphere the others cannot reach. A small field with almost no competition.

EvidenceEXHIBITA board: audio among the rarest tags across every genre

Performance as a design discipline

As sites get heavier, the person who can keep something elaborate fast becomes the difference between a project that ships and one that is quietly cut back. This sits between design and engineering and belongs fully to neither, which is exactly why it pays.

EvidenceThe engineering award on the largest design prize now accompanies the large majority of daily winners

Before you panic

Three Things Worth Saying