Film & TV

Production companies, and sites that behave like trailers.

48 winners · best 8.17

The Pick

Welcome to HogwartsTo celebrate the first day of term at Hogwarts, Pottermore launched a fully interactive WebGL experience which gave users the chance to explore a 3D version of the school.

Once Upon a Time in HollywoodA web and print experience structured in the style of a 1969 lifestyle magazine. Fans were able to dig deeper into Taratino's world. The look: 1960s magazine cover, full-bleed portrait behind heavy condensed sans masthead, flat orange stock with paper creases and a cover price bubble.

Welcome To The ContinentFor Netflix’s The Witcher, we created the ultimate companion website. A fan-centric digital space, complete with an interactive map, timeline, and encyclopedia of original content. The look: romantic sublime painting, a lone dark monolith in fog and falling snow with a distant misty skyline, overlaid with faint handwritten script like a manuscript page.

Bennett & CliveBennett & Clive is a global creative services and production company helping brands and agencies tell their stories to the world. The look: fashion editorial minimalism, full-bleed cinematic portrait overlaid with oversized tightly-set Helvetica-style capitals bleeding off the edge.

FreshmanFreshman is a creative production company that teams up with agencies and brands that seek to defy the ordinary. The look: cinematic dark portfolio, full-bleed dark video still with oversized grotesque wordmark and a filmstrip of thumbnail credits along the bottom.

Depo LuxeA strategic and cinematic approach to contemporary luxury. The look: editorial fashion minimalism, sparse serif type with roman numeral indexing over a moody gradient, with cinematic photo crops cascading diagonally like a lookbook spread.

IcebergIceberg is a transmedia project and documentary series revealing hidden solutions to the climate crisis through stories, podcasts, and global initiatives. The look: Swiss modernist editorial, oversized Helvetica wordmark centred over a moody full-bleed photograph, with a thin grid and small-caps nav bar.

Working Stiff FilmsProduction company, operating out of Baltimore, Maryland specialising in producing bold, cinematic commercials and branded content—with a strong emphasis on memorable storytelling. The look: retro rubber-hose cartoon, a gloved, noodle-limbed chattering-teeth mascot sits inside chunky slab and fat rounded display lettering on cream and red. Its headline: “We make Laughs That look Damn Go od.”

Pantheon Media GroupPantheon Media Group is one of the fastest-growing companies in entertainment. We operate multiple labels worldwide across all genres in all forms of content. The look: cinematic tech minimalism, an oversized thin-grotesque wordmark laid over a warm, hazy Martian landscape still with tiny monospaced captions at the edges.

Mon top NetflixInviting fans to share in journey so far, we partnered with Netflix to create a mobile-first activation, prompting fans to explore and rank their top 10 favorite shows to share with friends across socials. The look: streaming-app poster wall, a dense masonry grid of film-poster thumbnails on saturated purple, with circular app-style icon buttons.

Mathieu CrepelThis is the website of Mathieu Crepel, an international snowboarder, adventurer, and Olympian who is on a mission to inspire people to connect with nature through sports and exploration. The look: cinematic full-bleed editorial, a full-screen mountain photograph with oversized condensed sans headline and tiny monospaced nav overlaid like film credits.

Chapter: Bride by Milla NovaA website showcasing Milla Nova's latest wedding dress collection, Chapter Bride. The look: editorial fashion magazine, page-turn spread mockups, oversized display headline and cover-style photo framing mimic a glossy bridal magazine.

BeingsBEINGS is a casting directory for Aotearoa’s POC, Rainbow, and Disabled talent—because lived experience matters, and misrepresentation needs to end. The look: Swiss modernist, oversized Helvetica-style wordmark bleeding across a strict grid, tiny sans-serif nav, and a high-contrast studio portrait on white. Its headline: “Discover Aotearoa’s POC, Rainbow and Disabled talent.”

LxL CreativeLxL Creative are a UK-based agency producing integrated creative campaigns for the entertainment industry. Its headline: “Real craft. ‍ Real people. ‍.”

Opositive FilmsO positive is a bi-coastal production company that love making advertising with a real voice and makes people laugh, think or move. The look: editorial fashion layout, oversized contrasting display type overlapping a tilted portrait cutout on a dark full-bleed field.

SeventeenSeventeen is a creative agency based in London - A collection of odd minds bringing new perspectives underpinned with meaning. The look: Swiss modernist grid, a hairline-framed white page with tiny Helvetica labels and a vertical stack of flat rectangular colour swatches sitting on a strict grid axis.

Naked City FilmsA vibrant website for Naked City Films, merging raw energy with editorial restraint to reflect a production company built on craft, curiosity, and storytelling. The look: Swiss modernist revival, huge condensed grotesque wordmark in flat Klein blue blocks over a neutral grey panel with a rigid horizontal nav grid.

Film SecessionFilm Secession is an immersive digital platform which allows users to explore historic films, interviews and production materials by famous directors, composers, actors, etc. The look: 3D architectural rendering, a photoreal CGI arched rotunda with plinths and framed artworks, overlaid with thin all-caps serif titles.

RISKPost Production Studio. The look: cinematic title-sequence overlay, a full-bleed video still is overlaid with hairline rules, tick marks, timecode and tiny tracked-out caps framing a centred logo lockup. Its headline: “SPHERE PERFORMANCE.”

Rhythm InfluenceRhythmInfluence is a full-service influencer marketing studio with unparalleled access to the best talent in the world, empowering the voices that define modern culture. The look: fashion editorial layout, oversized bold sans headline interrupted by a Didone italic script and overlapped by a cut-out portrait, in the manner of a glossy magazine cover.

DozeDoze is a design studio specializing in advertising animation and the creation of dynamic visual identities. The look: 3D CGI maximalism, a dense floating cluster of photoreal rendered objects fills the frame, overlaid with tiny sans-serif UI text and a translucent panel.

Neon RatedNEON Rated is one of the most influential independent distribution studios of the last decade, known for releasing popular films such as Anora, Sentimental Value, Parasite and Longlegs. The look: cinematic film-poster modernism, a full-bleed film still overlaid with an oversized condensed sans title and small caps credit line, plus a floating pill-shaped player bar.

Emilie AubryEmilie is a French, queer film editor. She moved to Paris where she was an Editor at Division before moving to the US. She is a partner & editor at Church Edit. The look: fashion editorial minimalism, full-bleed high-gloss portrait with a hairline serif wordmark and small indexed credit strip along the bottom.

Art of DocumentaryA premier online filmmaking academy headquartered in Canada. The look: cinematic documentary realism, full-bleed dim photograph with a thin viewfinder-style frame, monospaced micro-labels in the corners and a large serif title overlaid.

KaideKaide is a creative endeavour of Matti Kaira and Aarni Hildén, two young friends with an interest in society and culture as well as a passion for journalistic and artistic expression. The look: Russian constructivist poster, duotone red-on-black halftone photo with a hard geometric monogram and grid overlay.

Paris by EmilyThe official Emily in Paris travel experience meets a slick, immersive Webflow build. Modern, fast, and crafted for discovering Paris with sophisticated Emily-energy. The look: maximalist display typography, oversized high-contrast didone lettering cropped across angled pastel banner bands like a printed ticker. Its headline: “Where will your Emily story begin.”

Hildén & KairaHildén & Kaira is a Helsinki-based social content agency helping founders and growing brands build organic presence through content that earns attention. The look: Y2K chrome revival, the oversized serif wordmark rendered in glossy liquid chrome sits above an otherwise plain cream editorial layout. Its headline: “If you can't reach a million people with 0€ ad spend, your branding sucks.”

FlimFlim is an AI-powered visual inspiration platform for creatives, functioning as both a vast library of stills and video clips from movies, TV, and ads, and a suite of AI tools. The look: Swiss modernist SaaS, oversized Helvetica-style wordmark, grid paper backdrop and neutral off-white palette with a scattered mood-board of film frames.

MilledollarsMilledollars is a creative bureau focused on high-end video production.

The Pendragon CycleAn immersive fantasy website exploring the world of The Pendragon Cycle, featuring its story, heroes, episodes, maps, and lineages through interactive visuals and cinematic design. The look: epic fantasy movie poster, a photoreal sword in stone lit by mist and falling snow, with glowing rune circle and engraved serif title lockup at the base.

Mikki SindhunataAs a film director with a dance background, Mikki explores the deeper potential of movement: not just as abstraction or form, or to look cool, but as a way to create dramatic narrative. The look: cinematic showreel portfolio, full-bleed dark film still with heavy condensed sans wordmark split across the top, monospaced micro-captions and a play button with scrub bar. Its headline: “Mikki Sindhunata.”

Studio AlphonseWebflow site for a production studio and post-production lab based in Reunion Island. Variable font for unique covers, and CMS lets the client update their catalog independently. The look: retro cartoon sticker art, noodle-limbed mascot characters with white keylines scattered as die-cut stickers on cream paper, plus bold condensed badge lettering.

Electra FilmworksFilm & photo production company based in Los Angeles. The look: cinematic reel minimalism, full-bleed widescreen film still with letterboxed frame, tiny uppercase tracked-out nav, and a filmography-style credit row.

OceanWe are a full-service production company founded in 2000, driven by a passion for what we do. The look: high-fashion editorial, full-bleed cropped photograph overlaid with a huge thin vertical wordmark, tiny sans-serif nav and a hairline circle graphic.

Redwood TEAMBrand identity and website for Redwood, a production company based in Barcelona.We worked aground the concept of TEAM, using it as a structural and visual anchor throughout the project.

Portfolio '25Portfolio of Roman Jean-Elie, creative developer. Design, development and motion by Roman Jean-Elie. The look: brutalist web poster, full-bleed dark red light-field image capped by huge condensed grotesque type in flat red on black.

OrkenORKEN is a new fantasy transmedia project from acclaimed art-studio and IP development powerhouse SIXMOREVODKA. Coming soon to Kickstarter. The look: graphic novel ink art, hand-inked armoured warrior rendered in grey wash on flat orange, with a brush-lettered logo.

Petra GarmonWebsite for a production film company specialising in commercials, music documentaries & fiction.We've used our own framework and libraries, including our custom smooth scroller. The look: cinematic showreel portfolio, full-bleed film still with overlaid light sans titles, thumbnail carousel of video frames, and a hand-drawn pink marker stroke.

PEDEN + MUNKTaylor Peden and Jen Munk-vold Director / Photo Team based in NY. The look: neo-Swiss editorial, oversized tight-tracked grotesk headline locked into a hard colour-block grid with fluorescent pink/lime clash against full-bleed photography.

SofaKnowsSofaKnows is a multidisciplinary artist with no limitations. The look: Swiss typographic brutalism, oversized cropped grotesk headline overlapping a dense grid of small black-and-white photos with rotated micro-type.

Every site here won a Site of the Day or a Site of the Month. 48 carry this category; the 40 shown are the ones we hold full marks and a palette for, best score first. Scores, categories and each team's own description are published by Awwwards. Studios' own portfolios are excluded throughout.

How film & TV websites are designed

Film & TV Website Design in 2026

What sets them apart

Video: video as the main event. 27% of film & TV winners, 8% of all winners.
Fullscreen: images running right to the edges, no border. 19% of film & TV winners, 9% of all winners.

What they share with every winner

Animation: things move. 38% of film & TV winners.
Transitions: smooth changes from one screen to the next. 25% of film & TV winners.
Microinteractions: small reactions — a button answers when you touch it. 17% of film & TV winners.
Clean: a lot of empty space left alone. 17% of film & TV winners.
Interaction Design: you handle it, rather than just read it. 17% of film & TV winners.

What they are built with

GSAP on 21% · WebGL on 21% · Webflow on 10% · Three.js on 10% · Next.js on 8% of film & TV winners.

Film & TV website color palettes

#49C5B6
#FF9398
#9C9C9C
#DF6C4F
#2779A7
#000000
#FFFFFF
#FF6A41
#282D35
#F0ECD9
#F2F2F2
#5A003C

Web design trends for every kind of site →

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